It’s Richie Havens’ World

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Richie Havens: Photo by Jean-Marc Lubrano“For some odd reason, I know everybody,” says Richie Havens.

Whether it was destiny or a cosmic hiccup, the musical climax of the ’60s was an auspicious day for Havens when an unplanned three-hour set opening the Woodstock Festival opened his doorway to worldwide recognition. “We landed, they chased me, I went on,” he explains. And yet, even if things hadn’t gone down that way, Havens would still have made his mark on rock history as a graduate of the original Greenwich Village folk scene, as a writer and interpreter of substantive songs, and as the third point in the magic triangle that connects Bob Dylan and Jimi Hendrix.

“I gave him the words to that,” says Havens, speaking of Hendrix and “All Along the Watchtower”, the song Havens still uses to open all his shows. The first song Havens ever covered by Dylan was “A Hard Rain’s A-Gonna Fall”; he’s since reworked “If Not For You”, “It’s All Over Now, Baby Blue”, “Lay Lady Lay”, “Maggie’s Farm”, “The Times They Are A-Changin’”, and, most recently, “Tombstone Blues” for the surreal biopic I’m Not There in which he also appeared. As for Hendrix, Havens first witnessed him in action in an uptown club and was so impressed, he hipped him to the Village scene. “I did share that with him—that he didn’t need to be a studio musician, at the whim of everyone else—that he could be in his own band… that’s how we started out knowing each other.”

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