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Straight to Video
Rock Art Rock
Jay Reatard
October 2008
Music Hall of Williamsburg, Brooklyn, NY
By Andres Jauregui "Before I bought my DSLR (a present to myself the day I got axed from a shitty office job), I took pictures on a lowly point-and-shoot..."
Thee Oh Sees
July 2009
Glasslands Gallery, Brooklyn, NY
By Andres Jauregui "I shot this trippy double exposure on the front line of a particularly raucous, incredibly sweaty set that kicked off Thee Oh Sees' swing..."
R. Stevie Moore
November 2008
Cake Shop, New York, NY
By Andres Jauregui "Eli Moore (no relation) from LAKE turned me on to his mentor, R. Stevie Moore, during an interview for Crawdaddy!, so when LAKE opened for R. Stevie in November of 2008, I had to check him out..."
Say No! To Architecture
June 2009
Death By Audio, Brooklyn, NY
By Andres Jauregui "Allen Roizman's one-man-band blew me away at the otherwise sleepy inaugural Northside Festival this past June. Death By Audio is a hub for under-the-radar talent in Brooklyn..."
See more in the Rock Art Rock gallery.
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30 Worthy Albums from the Last Six Months We Neglected to Review
by: Angela Zimmerman, Jocelyn Hoppa, Michael Harkin
Time, money, space… these are the things that do not allow us to review every album we want to tell you about that gets released. We do what we can, but we’ve come to face the fact that that will never be enough. Bands keep forming and records keep coming out, yet money remains tight and there are no more hours added to a day. And hey, sometimes we just want to take a moment or two away from figuring out what new stuff is cool so we can listen to the Jam or some other band that existed before 2000 that we know is great. Sue us. Anyway, we still feel bad about it, so now we have this here list of 30, count ‘em, other albums that we really do dig that we never really got a chance to review. Here they are in alphabetical order (because, honestly, it’s too early to be putting any numerical value to any of this):
Akron/Family – Set ‘Em Wild, Set ‘Em Free (Dead Oceans)
Full of the loose jams that this East Coast-based experimental folk-rock outfit has become known for, Akron/Family’s newest collection of songs is rollicking, whimsical ear candy for these hot summer months. – AZ
Listen: Akron/Family [at myspace.com]
The Albertans – Legends of Sam Marco (Ernest Jennings)
New project from Joel Bravo, of Bravo Silva, that takes pop music and puts it on its head with a mysteriously theatrical mix of Americana, blues, soul, melody, psychedelia, and with a poetic lyricism that’s oftentimes hard to find these days. – JH
Listen: The Albertans [at myspace.com]
Au Revoir Simone – Still Night, Still Light (Our Secret Record Company)
Probably the least challenging material on this list, which is not to discredit the delicate synth-pop contained within. On the contrary, it’s another beauty of a record from these gals that’ll gladly guide you through your most brain-dead days. – JH
Listen: Au Revoir Simone [at myspace.com]
The Beets – Spit in the Face of People Who Don’t Want to be Cool (Captured Tracks)
If you’ve been suffering an eight-year perpetual hangover from watching a nation of people continually get totally fucked, you will undoubtedly relish in the faraway indifference, mellow pop, unembellished no-fi of the Beets’ debut LP. – JH
Listen: The Beets [at myspace.com]
Ben Kweller – Changing Horses (ATO)
This is decidedly more country than we’ve ever seen Kweller. And while that might be off-putting to fans of his more self-aware indie-rock material, this record reminds us of a cross between Jeff Tweedy and Gram Parsons. What’s so wrong with that, Pitchfork? – JH
Listen: Ben Kweller [at myspace.com]
Big Business – Mind the Drift (Hydra Head)
This ponderous doom metal duo is now a three-piece with the addition of guitarist Toshi Kasai, which has taken their music to new heights of bombastic guitar flourishes and a cleaner, more cohesive sound. No worries, it’s still steeped in the sludge you love. – JH
Listen: Big Business [at myspace.com]
Clues – Self-titled (Constellation)
The elusive new project from a mini-cast of today’s more prominent indie rockers (members hail from Arcade Fire and Unicorns) is cohesive but has range, clean but has soul. – AZ
Listen: Clues [at myspace.com]
Darlings – Yeah I Know (Famous Class Records)
Different than THE Darlings or THOSE Darlins, New York’s Darlings may not be on your radar yet, but stay tuned, for they are infinitely enjoyable, especially if you’re a fan of the ’60s, noise, Teenage Fanclub, and/or Sloan. – JH
Listen: Darlings [at myspace.com]
Death – For the Whole World to See (Drag City)
Great comp of this legendary Detroit proto-punk trio’s 1974 jams. The brothers Hackney deserve the attention afforded the Stooges and MC5. – MH
Listen: Death [at myspace.com]
Eat Skull – Wild & Inside (Siltbreeze)
Exhilarating, blown-out pop from PDX’s finest. Eat Skull avoid stickin’ to the formula, waxing folksy, psychedelic, and noisy with finesse. – MH
Listen: Eat Skull [at myspace.com]
The Fresh & Onlys – Self-titled (Castle Face)
Reverb-washed retro garage-pop from this relatively new SF band. Stoned, infectious, and “fresh” indeed! “Fog Machine” is ace bunny killer. – MH
Listen: The Fresh & Onlys [at myspace.com]
Future of the Left – Travels with Myself and Another (4AD)
There’s only one thing to say about this record: It would behoove you to find a place where you can play it as loud as is fucking possible. Literally, it gets better and better the higher the volume knob goes. Pure rock fury without all the sermonizing. – JH
Listen: Future of the Left [at myspace.com]
Pages: 1 2 3
by: Angela Zimmerman, Jocelyn Hoppa, Michael Harkin
published: July 1, 2009 in column: Reviews
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