Elliott Murphy: The Prodigal Songwriter Returns

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Courtesy of ElliottMurphy.comDuring the past three-and-a-half decades, expatriate New Yorker and now Paris, France-based singer-songwriter Elliott Murphy has achieved some lofty artistic goals. Recently, he was honored in Paris with the two-week exposition “Last of the Rock Stars” that celebrated his 35 years in the music business and culminated with a concert. Several times while on tour in France, Bruce Springsteen has brought Murphy up on stage to sing with him: In 1996, they did an acoustic version of Murphy’s “Rock Ballad”, and earlier this year, Murphy and son Gaspard were brought up on stage by the boss for “Born to Run” in front of 50,000 people at Parc De Princes.

Murphy’s had a busy career releasing some 30 albums, all of which have all been of a high standard that juxtaposed hard-edged arrangements with literate, poetic lyrics. He has also written a number of European-released short story collections and other literary works; in fact, early on he wrote sleeve notes to the Velvet Underground’s 1969: Velvet Underground Live album. Yet, for the most part, Murphy languishes in that “never, never land” reserved for cult artists, especially here in the United States. In 2006, England’s influential magazine Uncut devoted an entire page review to his 1973 (now out-of-print) debut album, Aquashow, declaring it an all-time classic. Ironically, Murphy was part of that artsy and vibrant New York scene that spawned the New York Dolls, Patti Smith, and the Talking Heads. He even had four albums on three different major US labels in the ’70s, and Aquashow was hailed as the best Bob Dylan album since 1968 by Rolling Stone magazine back in 1973. Billy Joel, Phil Collins, Bruce Springsteen, Jerry Harrison, and Shawn Colvin, among many others, have made guest appearances on his albums, although he recently joked that “some of them weren’t nearly as famous then as they are now.” But despite all this, he has remained on the periphery of commercial success.

Much of Murphy’s obscurity has to do with deciding to export himself to France when he moved to Paris permanently in 1990. At one point, Murphy had joked that by moving there he chose “culture over success,” but in a recent interview, he was a bit more forthcoming by saying, “Why did I move here? [Laughs] You know, it was half for artistic inspiration and half for total practicality. In late 1979, I did my first show in France, and soon after that in Italy and Spain, and then by the end of the ’80s, I was doing almost all of my shows over here. I was hardly touring America. I had records out on about five different independent labels in Europe, and then someone said, ‘What do you want to do with your life?’, and I said that I’d like to move to Paris. There was a friend of a friend that had an apartment and—wham bam, thank you ma’am—two weeks later I was here… but it was one of the best moves I ever made.” I asked Murphy, given that he sings in English, if there really was a big market for literate, poetic songs. “Yes, surprisingly, a lot of singer-songwriters do well in France, Spain, Italy, and more. Bob Dylan, Bruce Springsteen, Steve Earle, Tom Waits, etc. There’s a market for good songwriting.”

In his nearly two decades living in Paris, Murphy’s continued to flourish and develop a notable career throughout Europe. He regularly plays over a hundred shows a year. Having been a big fan of his early work, I was simply amazed to see just how many of his albums had not made it to the US, but such is the way of the music industry. That said, 24 albums are available on iTunes currently, as well as a number that are still in print.

Murphy has occasionally returned to the US for shows, but the recent tour of the North East and California in December and January marked his first return in over eight years, and was truly special as Murphy was promoting his latest album, Notes from the Underground, which is simply one of the best albums of his career. Crawdaddy! asked Murphy what prompted him to do a US tour after so long, especially given the current economic climate and the music business in general. Murphy’s reply was not exactly a stock answer: “You know, I think the mind follows the heart. I have been living in Paris for 18 years and have a family, a wife, and a son. Last September, my son went off to school in America, Purchase College, studying music production, of course. I haven’t tried playing much in America in a long time, and then [publicist] Anne Leighton came into my life and came up with this interesting idea of me and her client, Jann Klose, a great up-and-coming singer-songwriter, touring together so that it would be an interesting package for people to see, and it has really happened.” Murphy further explained the tour by saying, “This is just like me getting my feet wet in America again, so the plan is to come over in December and January as duo and then come back again in April with a full band.” Murphy was accompanied by the superb French guitarist Olivier Durand, who has played with him for close to a decade now. “Olivier is just such a great player. We work really well together and he also co-writes a lot of the songs on the new album. I like doing the two-guitar thing.”

2 Comments

  1. Rick
    Posted October 7, 2009 at 8:41 am | Permalink

    Elliott’s music is truly great. So much better than anything out thete.

  2. Posted November 14, 2009 at 1:46 pm | Permalink

    My then girl-friend and now wife of 27 years turned me on to Eliot Murphy’s music in 1977. I was knocked out by both the lyrics and the music. Coming from a suburban background in northern NJ, his songs “Drive All Night” & “Change Will Come” struck chords within me. We saw him often in small clubs in and around NYC and still do. I called his music suburban angst. Anyway, the man can still bring it. When you listen to an entire cd, he can transport you to forgotten places in your soul. We are looking forward to seeing him again in December 09.

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