Crystal Antlers’ shows blow up. This summer the band exploded out of Long Beach, California with a slew of blog praise for their self-titled EP and soon after, their four-song collection received the coveted “Best New Music” designation from Pitchfork. Even though they play psychedelic garage-punk anchored by organ that sounds like it could have echoed in the court of the Crimson King, it’s best you don’t call them a prog band.

Lead singer Jonny Bell confesses, “To be honest, I’m totally not into prog rock, I don’t feel like we’re prog rock. I’m not into King Crimson and I hate Rush and I dunno, I guess it’s a common misconception. The way this band came about, where the sound came from, was hours and hours of playing together in a garage. And there was no intention of being on Pitchfork or having a MySpace page even, it just happened.” And it happened fast. 

Last year, the band was relatively unknown, still playing house shows in the LBC, but just a few months later they were blowing up clubs in Brooklyn and SXSW. Bell is still not sure how it happened. ”I guess it was just kind of building up steam in some ways.” Over the past year a few emphatic reviews of their live show began to litter some Los Angeles music blogs, but it was the 8.5 Pitchfork review of their self-released EP that broke things wide open in June. ”I don’t even know how Pitchfork got the CD. I mean, none of us had ever heard of Pitchfork before that and I was really amazed at how powerful the internet can be, because we have seen a huge effect.” Day-to-day life in the band has subsequently started to change: ”Now I can’t work. I have to spend all day shipping out CDs. Which is great, you know, it’s a luxury problem, but for the rest of the guys, all they’re doing is helping me package more CDs. We practice more.”  

Practice is better than sweeping chimneys, which is what they were doing. “The original line-up of the band, we were all chimney sweeping together, working for this crazy acid casualty, ex-punk rock guy. And now I have my own company, but like I said, I haven’t been doing much lately with chimney sweeping.” From the looks of it, things are to stay that way. The band just signed to Chicago’s Touch and Go record label and is scheduled to play CMJ this October after a quick West Coast tour wraps up.

Touring has been essential to their success. The band’s captivating, frenetic live performances have propelled them with word-of-mouth exposure. Witnessing their show is like witnessing a high-speed car crash—explosive. But Long Beach is not really a town known for its music scene, so getting out was elemental to sparking critical fire. ”There’s a few places to play. It’s a pretty small scene and it’s pretty local for the most part. There aren’t a lot of bands making it out of Long Beach and going other places. I think one thing with us, we’re not really from any scene… we live in Long Beach, but we’re not really from anywhere specific, just kinda all over the place.”

The band formed in 2006 after the original lineup met in high school. “That was Kevin, Errol, and I. Errol’s no longer in the band. Our new guitar player, Andrew, he helped Errol’s old punk band put out records, and so when Errol left the band we thought about Andrew because he was somebody that Errol looked up to as a guitar player. And Victor was just somebody that was always around and he was always really great at jamming, so we thought, ‘Oh, we can probably teach him how to play organ.’ His dad’s a mariachi, and he comes from a really rich musical background.” Victor aside, the rest of the band comes from what some might consider a lesser pedigree, with the musical DNA of several incestuous So Cal punk bands. “Damian was the person we all used to go watch play in his old punk bands. Andrew also played with Damian and H.R. from Bad Brains. So, they knew each other; they were in bands together before they were in this band.”

With the help of a friend, the band put out two seven-inch singles and sold them at shows and through their MySpace page. “Our first single came out on our friend’s label, Majic Wallet, and it was a label he created to put out that record. He was a bank robber and was in prison for years, and he used to play drums in Flipper and Redd Kross. Right out of prison, this was the first thing he did artistically to get back into music.” The singles sold out.