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Straight to Video
Rock Art Rock
The Decemberists
September 19, 2009
Terminal 5, New York, NY
By Amanda Hatfield "The Decemberists played a special one night 'lottery show,' where the songs played were picked at random by a master of ceremonies, played by John Wesley Harding..."
Ra Ra Riot
April 4, 2009
Webster Hall, New York City, NY
By Amanda Hatfield "This show was, at the time, the biggest one Ra Ra Riot had sold out as headliners, and it was clear to me after watching it that the band is destined for even bigger and better things..."
Florence and the Machine
October 28, 2009
Bowery Ballroom, New York City, NY
By Amanda Hatfield "Florence Welsh and her backing band delighted and mesmerized a sold-out crowd at Bowery in her first official NY headlining show..."
Dirty Projectors
July 19, 2009
Williamsburg Waterfront (Brooklyn, NY)
By Amanda Hatfield "I was skeptical about how well Dirty Projectors' gorgeous, complex vocal harmonies would carry over outdoors, standing under hot sunshine..."
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Jagger-meister
The ‘80s were a bleak period for rock’s stalwarts. Many entering their third decade as performers and grasping for relevance forced themselves into the ridiculous fashions and hairstyles that were de rigueur in an aesthetic age seemingly inspired by the contradictory influences of work-out videos and heavy cocaine abuse (headbands and neon sport coats? Thanks, Loverboy!). So seductive was the spandex-clad embrace of the Greed Years that even the World’s Greatest Rock ‘n’ Roll Band couldn’t escape its clutches; one need look no further than the cover of Dirty Work for evidence. But tension was mounting among the members of the Rolling Stones as the pop-oriented compulsions of their lead singer threatened the group’s timeless appeal.
It was just as the creative strain began to percolate, prior to the release of 1983’s Undercover, that Mick Jagger sat down to discuss his predilection for dance music in this interview with Lisa Robinson. In a conversation perhaps more significant with hindsight, the former London School of Economics student reflects on the commoditization of music, and tip-toes around the delicate subject of his then-crumbling partnership with Keith Richards.
It’s remarkable to think that this 24-year-old artifact was recorded not even halfway into a musical career that continues to this day; in addition to being one of rock’s most charismatic singers, Mick, after all, is a business man. So it was a wise choice for his enterprise when the Stones resumed their hard-edged R&B sound and started dressing like pirates at the threshold of the 21st century. Relationships mended, at least on the surface, and the band has now been pleasing crowds for over 40 years. All criticism aside, imagine a world without the Rolling Stones coming around every three years to play “Start Me Up” one more time, then listen to this interview and remember a time when it almost happened.


2 Comments
Um, I beg to differ here…the clothes/hauir/attitudes of many 80’s pop bands were certainly no worse or more pretensious thna the precious “hippie” looks( you know the ones, the tie-died shirts,the fringe bucksin jackets and vests,the foppish British bands like traffic the the who) which dominated musical wardrobes in the 60’s into the 70’s ( don’t even get me started on disco or glitter rock, oh god no…).Jagger has always been a very smart business man. He was always a well-educated and astute buisness man away from the stage , not at all like his preening Stones front-man act. Hey remember that stupids little off-the-shoulder cape he wore on stage in the late 60’s. Wow now there’s a real fashion plate for ya. I don’t think the Stones have done anything that sounds as good as Let It Bleed and Sticky Fingers. Not ever….EVER!
Actually, listen to Rolling Stones Now from 1964 or so. Mona, Down the Road Apiece. This is a tight group recording in the Chess Chicago stuios. Not playing too many originals on it, but a real kick ass album of their roots.