Search results for: honey moon

Video: honey.moon.tree, “Where the Animals Go”

performed February 27, 2008 at Cafe du Nord, San Francisco, CA

published: November 9, 2009 in column: Video

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The Handsome Family at Bottom of the Hill, SF

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Handsome Family: Courtesy of WikipediaThe Handsome Family
July 23rd at Bottom of the Hill, San Francisco

From the first guttural notes unleashed by the fairly intimidating Brett Sparks, I knew the Handsome Family was going to give me what I wanted. The night outside was thick and damp with fog, the sort of evening that makes you want to hunker down somewhere dark and protected, a perfect backdrop for the husband and wife duo’s brand of Southern Gothic country music. Brett and Rennie Sparks have played under the Handsome Family moniker since 1993, and are joined onstage by a drummer and a fiddle/bass player. And on this night, they were also joined by Ralph Carney on some songs, a wind instrumentalist best known for his longtime association with Tom Waits, who played, among other things, a very long flute, bringing some ambient, jazzy accents to their Carter Family-influenced tunes. Rennie, who pens the lyrics and trades duties on guitar and banjo, peppered their set with near constant chatter at the audience between songs, at ease up there alongside her husband, directing at Brett quips like, “That’s the first time you’ve touched me in over 20 years,” and receiving subsequent snickers from the audience. Despite the fact that they are from Chicago, which casts their music in a refined, subversive urbanity, it’s also steeped with an Appalachian flavor that guides their darker narrative tales. They tell the sort of stories that live among the natural splendor of a riddled America—think a deserted dirt lane by moonlight, folklore storytelling on a sagging front porch, the beauty and paranoia that resides in a spider spinning its web. Nature, both in its literal and symbolic meaning, is entrenched in this music. They also sing about love, most thoroughly expressed on their latest release, Honey Moon.

Intrigue and mystique cloaks the Handsome Family. Brett has faced the demons of his own mental problems, and that deep, raw feeling resonates in his vocal delivery of the songs. His baritone is an unfurling growl, a tempered twang, and a roar all at once; he has the ability to change his voice to fit the composition, and their best moments are when husband and wife harmonize. They have a unique way of fitting their voices together, trading off on melody and harmony even within the course of one song. For a night that almost beat me down, keeping me alone inside the comfort of my apartment, turns out the deeply authentic American music of the Handsome Family was exactly the kind of company I was craving.

 

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published: July 27, 2009 in column: It Shows

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Sarah Jarosz

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Sarah JaroszSarah Jarosz
Song Up in Her Head
(Sugar Hill, 2009)

This debut album from the barely 18-year-old Austin, Texas-born Sarah Jarosz is a veritable breath of fresh air, and one of those albums that truly makes a reviewer’s task worthwhile. It’s not just good, it’s an exceptional album of sophisticated folk-meets-bluegrass-tinged music. Most genres that produce teenaged artists usually rely on elements that have little to do with musical ability, but rather fads, fashions, looks, or some other gimmick. Jarosz is the real deal with immense talent. She’s somewhat of a local legend, having been involved in music almost her entire life. While only 12 years old, she jammed with the likes of David Grisman and Ricky Skaggs, and she’s already played major bluegrass festivals including Telluride, Wintergrass, and Old Settler’s Music Festival, to name but a few.

Song Up in Her Head reveals an extremely accomplished multi-instrumentalist who plays guitar, banjo, and mandolin, and does so with a mixture of precision, passion, and adventure. The album also showcases a convincing vocalist and songwriter. Jarosz is in no way overshadowed by her cast of supporting musicians, who are among the cream of acoustic performers: Jerry Douglas, Stuart Duncan, Byron House, Darrell Scott, Alex Hargreaves, Tim O’Brien, Chris Thile, and Mike Marshall. Unlike many star-studded albums, this one feels natural and vibrant, like a group of friends drawn together to play music that they cherish. All these accolades still don’t prepare you for the majesty of this album, produced by Gary Paczosa (John Prine, the Duhks, Chris Thile). The disc contains 13 cuts, 11 of them Jarosz originals.

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published: June 17, 2009 in column: Reviews

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Video: honey.moon.tree, “If You’re Thinking”

performed February 27, 2008 at Cafe Du Nord, San Francisco, CA

published: June 17, 2009 in column: Video

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Saying Goodbye to the Dynamo House

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I was in another country when the last boxes were evacuated from 700 Hale Avenue. For the last three years, the Edwardsville, Illinois house had served as the headquarters for So Many Dynamos. At various moments in time, it was a practice space, a recording studio, a frat house, a screen-printing lab, a storage facility, a bed and breakfast, a vehicle graveyard, and a basement venue. Most recently, 700 Hale was given the nickname “boy fort” and was designated for one groom, five groomsmen, and one ring bearer to get dressed up for a wedding. This wedding is the reason that I was on my honeymoon in Canada when the once-bustling two-story on the corner was reduced to a series of desolate, purposeless rooms.

We triumphantly dropped out of college in 2005. After subsequent months of couch surfing and extended stays with parents, the necessity of a “band house” had become apparent. By living together, we could limit our expenses and use what little money we made from our band to pay them. We had always dreamed of “making a living” by playing music, and we found it easier to loosen our requirements of “living” than to increase the amount of money we were “making.” This isn’t to say that 700 Hale was difficult to live in; it was large enough to comfortably fit all four of us and to accommodate as many as 12 floor-sleeping guests. Because we were able to host other bands that passed by on tour, the Dynamo House—its most popular nickname—was able to karmically repay all of the other homes whose couches and floors had previously provided nights of rest for us.

Soon after moving in together, our mutual coexistence seemed absurdly normal. I saw how other bands functioned, all of their members living in different places with different roommates, working different jobs, and it mystified me. I couldn’t imagine not sharing a house with my bandmates, not making rent money by playing shows, and not supplementing my income with disposable jobs and get-rich-quick medical research studies between tours.

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published: May 18, 2009 in column: Livin the Dream

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Your Handy Guide to the Month in Music

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April is, for me, never really about music. It’s about baseball season starting, it’s about the NHL playoffs, and it’s about the first few times I’m able to drink comfortably while sitting outside. But this year, it was also about swine flu, constant rain, and my favorite American Idol contestant being sent home long before she should have been. Also, my baseball team is 11 and 13, and my hockey team lost in the first round of the playoffs. So, goodbye, April. Glad to see you go.

This Month’s Most Notable News Stories

Spoon Books Its Own Music Festival
This wouldn’t seem quite so newsworthy if it had ever really happened before. Sure, between All Tomorrow’s Parties and even that one particular night of the Pitchfork Music Festival, there’s been a smattering of artist-curated events, but none have been quite this clearly the work of one band. The festival, called SPOONX3, is set to take place July 9-11 at the famous Stubb’s in the band’s hometown of Austin, Texas. Spoon themselves will be playing each night, and they’ve promised new material. With that much onstage time at their disposal, one could assume they’ll be playing a fair amount of older material as well. They’ll be joined by friends in Low, Atlas Sound, …And You Will Know Us by the Trail of Dead, the Strange Boys, and a few others. Fingers crossed for special guests. God knows they’ve got enough friends.

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published: May 6, 2009 in column: The Cheat Sheet

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The Milk & Honey Band

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The Milk & Honey BandThe Milk & Honey Band
Dog Eared Moonlight
(Ape Records, 2009)

Being unfamiliar with UK singer-songwriter Robert White’s former band, Levitation, I had very little to direct me to his current outfit, the Milk & Honey Band, other than the implied endorsement of XTC’s Andy Partridge, whose label, Ape Records, has released their new album, Dog Eared Moonlight, just as they did the band’s prior offering, The Secret Life of the Milk & Honey Band. Happily, this bit of back channel knowledge not only resulted in my discovery of an extremely talented songwriter and his band, but it also helped me get past the band’s name, which (wrongly) seemed to evoke a bible-thumping Christian ministry.

Being a rather devout fan of XTC, I had of course assumed that White and his crew would sound exactly like the Bard of Swindon himself, Mr. Partridge, which wouldn’t necessarily be a bad thing. It happens to not be the case, however, and White not only avoids emulation of his label boss, but is possessed of an original voice that is entirely worthy of your unbiased attention.

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published: April 23, 2009 in column: Reviews

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The Handsome Family

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The Handsome FamilyThe Handsome Family
Honey Moon
(Carrot Top, 2009)

The Handsome Family plays country music, but don’t expect them to appear at the Grand Ole Opry anytime soon. While their music is grown in the mulch of the old-time ballads and mountain folk songs that are the foundation of the country genre, they have an arty cosmopolitan aura that’s all their own. They’re mining a vein that is seldom prospected by today’s country artists, with the possible exception of bluegrass bands.

The Handsome Family is Brett Sparks, composer, singer, multi-instrumentalist, and producer, and his wife and songwriting partner Rennie Sparks, lyricist, Autoharp player, and harmony vocalist. The music is country, but it tends to be lethargic. It glories in solemn, measured tempos and subject matter that tends toward life’s other side, as Hank, Sr. once sang: Heartbreak, depression, decay, and implied ecological disasters abound. Brett’s baritone is so low it sounds like the earth rumbling, and it gives every tune an oracular presence that’s amply backed up by Rennie’s mystifying lyrics, which meld poetic impulses and everyday language with an effortless grace.

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published: April 15, 2009 in column: Reviews

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OK Computer In the Future

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Many books come out each year deconstructing rock music: The musicians, their albums, their songs, their showering habits, and their other habits. It’s here where we’ll take an excerpt of a book for you to check out before you make the purchase. As of now these will exclusively feature the venerable 33 1/3 series, which picks apart an album by a band or musician. In the future, we hope to include more rock books of all varieties.

Dai Griffiths is Head of the Department of Music at Oxford Brookes University.

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published: April 7, 2009 in column: Lit Snippet

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The Ancient Common Sense of Bishop Allen

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Courtesy of Bishop AllenAcclaimed indie-poppers Bishop Allen haven’t quite caught on in the mainstream. But their relative obscurity could change with the release of their latest album, Grrr…, considering they count numerous critics and assorted influential celebrities among their fans.

The latter include Weekend Edition’s Scott Simon (who has hosted the band on his show) and actor Michael Cera, who took to the band after they appeared alongside him in last year’s movie Nick and Norah’s Infinite Playlist. (The group plays their track “Middle Management” in a montage scene at the beginning of the movie, and it appears on the soundtrack.)

They even had the opportunity to play video golf with Cera in his trailer. “He was a really nice guy,” says Bishop Allen principal Christian Rudder. “We were filming right after Superbad became, like, the biggest movie in the US, and all these extras were asking him for advice and agent information.”

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published: March 13, 2009 in column: Feature Story

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