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Straight to Video
Rock Art Rock
The Decemberists
September 19, 2009
Terminal 5, New York, NY
By Amanda Hatfield "The Decemberists played a special one night 'lottery show,' where the songs played were picked at random by a master of ceremonies, played by John Wesley Harding..."
Ra Ra Riot
April 4, 2009
Webster Hall, New York City, NY
By Amanda Hatfield "This show was, at the time, the biggest one Ra Ra Riot had sold out as headliners, and it was clear to me after watching it that the band is destined for even bigger and better things..."
Florence and the Machine
October 28, 2009
Bowery Ballroom, New York City, NY
By Amanda Hatfield "Florence Welsh and her backing band delighted and mesmerized a sold-out crowd at Bowery in her first official NY headlining show..."
Dirty Projectors
July 19, 2009
Williamsburg Waterfront (Brooklyn, NY)
By Amanda Hatfield "I was skeptical about how well Dirty Projectors' gorgeous, complex vocal harmonies would carry over outdoors, standing under hot sunshine..."
See more in the Rock Art Rock gallery.
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Tortoise
by: Dan Weiss
Beacons of Ancestorship
(Thrill Jockey, 2009)
Tortoise, of all people, are worried about their age. The sarcastic album title about their elder statesmen status, the even more sarcastic title “Prepare Your Coffin”, and one song, “Minors”, is presumably about what they prize the most in this day—being one, appealing to one, anything to reverse time back away from those meddlesome coffins.
Maybe they felt they were prematurely mellowed out on It’s All Around You. Maybe they felt they were prematurely mellowed out for five records. Beacons, John McEntire and company’s sixth, is their loudest by a bit, even with the second half chilling out for a powder mostly. Beyond the boisterous Standards opener “Seneca” and its molten drumline, “fuzz” isn’t quite a word associated with Tortoise, but here, vibrating, queasy, hairy distortion infests every stroke until the last four songs. Burping Moog and ARPs in particular lead the proceedings—this is also the band’s most synth-heavy by far. Even the most traditionally them track, “Charteroak Foundation”, is crashed halfway through by a buzzing laser more reminiscent of Elvis Costello’s high Farfisa arrangements or Dr. Dre’s G-keyboard swizzle than anything this postmodern-fusion collective’s allowed on their pristine china collections they call records.
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by: Dan Weiss
published: June 23, 2009 in column: Reviews
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