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Straight to Video
Rock Art Rock
The Decemberists
September 19, 2009
Terminal 5, New York, NY
By Amanda Hatfield "The Decemberists played a special one night 'lottery show,' where the songs played were picked at random by a master of ceremonies, played by John Wesley Harding..."
Ra Ra Riot
April 4, 2009
Webster Hall, New York City, NY
By Amanda Hatfield "This show was, at the time, the biggest one Ra Ra Riot had sold out as headliners, and it was clear to me after watching it that the band is destined for even bigger and better things..."
Florence and the Machine
October 28, 2009
Bowery Ballroom, New York City, NY
By Amanda Hatfield "Florence Welsh and her backing band delighted and mesmerized a sold-out crowd at Bowery in her first official NY headlining show..."
Dirty Projectors
July 19, 2009
Williamsburg Waterfront (Brooklyn, NY)
By Amanda Hatfield "I was skeptical about how well Dirty Projectors' gorgeous, complex vocal harmonies would carry over outdoors, standing under hot sunshine..."
See more in the Rock Art Rock gallery.
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Magik Markers
by: Dan Weiss
Balf Quarry
(Drag City, 2009)
I loved the Magik Markers’ 2007 full-length Boss, and I’m not ashamed to say why: It sounded like Sylvia Plath fronting Sonic Youth. Rife with allusions both musical and literary (John Updike!), a myriad of old-fashioned amp noises that were sucked dry back when Pavement made them, and a dry stance between avant-garde sound-blattering and blistering garage, the art-enveloped duo seemed like they had it together and would move onto something else pretty soon.
The big surprise with Balf Quarry is that they’ve stagnated and seem pretty comfortable in no-chord purgatory. There are less spiky moves though; only one of the new tracks exceeds six minutes, and rather than testing their audience with a minute of feedback like Boss opener “Axis Mundi”, they settle into a Neil Young-style lumber just out the gate with the low-rent fuzz chug of “Risperdal.” Elisa Ambrogio lurks behind this track, opting for droning grind-blues rather than a witchy spell. Her slightly off-key howling is more on keel with the Kills’ Alison Mosshart than a distinct iconoclast like PJ Harvey or Karen O. Here she’s content to repeat herself, with her most PJ-like track yet, the swampy “Don’t Talk in Your Sleep”, which rides a mutated wah vamp and a rudimentary hip-hop beat.
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by: Dan Weiss
published: May 6, 2009 in column: Reviews
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